Kempf Davorin, F.C.A.
Date of birth:
Place of birth:
- : Trg Nikole Šubića Zrinskog 11, 10000 Zagreb
Kempf Davorin, F.C.A.
- fellow of the Croatian Academy of Sciences and Arts (06/14/2018 – …)
- doctor of Science (12/20/2006 – …)
- full professor – University of Zagreb Academy of Music
Membership in Academy:
- full member – Department of Music and Musicology (06/14/2018 – …)
- associate member – Department of Music and Musicology (05/12/2016 – 06/14/2018)
Academician Davorin Kempf, composer, musicologist and music pedagogue, was born in 1947, in Virje, Croatia. He graduated from Gymnasium in Požega and from the „Franjo Kuhač” Secondary Music School in Osijek, in 1966. At the Academy of Music in Zagreb he graduated piano (Prof. Stjepan Radić) in 1971, conducting (Prof. Igor Gjadrov) in 1972, and composition (Prof. Stjepan Šulek) in 1973. As a grantee of the German Academic Exchange Service he continued his studies in composition at the Hochschule für Musik und darstellende Kunst in Stuttgart (Prof. Milko Kelemen, Prof. Dr. Erhard Karkoschka) during the 1975-76 academic year, and at the Musikhochschule Köln (Prof. Mauricio Kagel, Prof. Joachim Blume, Prof. Hans – Ulrich Humpert) during the 1976-77 academic year. As a Fulbright grantee he completed graduate study in composition at the University of Iowa, Iowa City, U.S.A. (Prof. Dr. Donald Martin Jenni, Prof. D.M.A. Kenneth Gaburo) in 1990, receiving a Master of Arts (Music) degree. In 1994 and 1997 he carried out his short-term studies/researches as a grantee of the German Academic Exchange Service at Technische Universität Berlin, Elektronisches Studio (Dipl. Ing. Folkmar Hein). He earned his Ph.D. degree at Freie Universität Berlin, Fachbereich Philosophie und Geisteswissenschaften (Prof. Dr. Albrecht Riethmüller) in 2006.
From 1995 untill the retirement in 2017 he worked as a full professor at the University of Zagreb Academy of Music in the Department of composition and theory of music. (In 2000 he became a tenure track full professor.) From 1996 to 2004 he was the Artistic Manager of the Požega Organ Evenings. During the seasons 2012-13 and 2013-14 he was holding the status of a Composer-in-Residence of the Zagreb Philharmonic. In 2013 and 2014 he was Chairman of the Jury of the 2nd and 3rd International Composers’ Competitions New Note, Samobor, Croatia. In 2017 and 2018 he was Chairman of the Ministry of Culture of the Republic of Croatia Expertly Commission for Stimulation of Croatian Musical Creation. Also, he was a member of the Jury (piano) of the Croatian Competition of Young Musical Artists „Boris Papandopulo“ that was held in Zagreb in 2017.
His compositions have been performed at concerts and music festivals in Croatia, Germany, Austria, Switzerland, Italy, Portugal, Netherlands, Czech Republic, Slovakia, Slovenia, Serbia, Bosnia and Herzegovina, France, England, Ireland, Belgium, USA, Mexico, Canada, Japan, Russia, Ukraine, etc., and over various radio and television broadcasts. His composition Mariposa de luz / Butterfly of Light was the obligatory piece by Croatian composer at the 5th EPTA „Svetislav Stančić“ International Piano Competition in Zagreb, in 2014. In 2020 The University of Iowa published on its website an interview with him including a video recording of Adela Liculescu´s interpretation of Davorin Kempf´s piano miniature Mariposa de luz at the 2018 Honens International Piano Competition in Berlin: https://international.uiowa.edu/news/university-iowa-alumnus-reflects-his-career-professor-and-award-winning-composer .
Croatian Music Information Centre: Piano Pieces, 2008, Contrapunctus primus (1986) for string quartet, 2009, Choral Compositions, 2010, Concerto Corale (2013) for piano and symphony orchestra, 2014, Symphonic Movement (2013) for Organ and Orchestra, 2015, Planes and Colours (2014) for string orchestra, 2018.
Ars Croatica – Croatian Society of Composers: Arti mutatae (1975) for piano, 1978, Suite for Children (1975) for piano, 1982, Reminiscences (1982) for woodwind trio, 1985, Five Haikus (1988) for mezzosoprano and piano, 1992.
Cantus – Croatian Society of Composers: Zagreb Concerto No. 5 (2011) for flute, violin and cembalo solo with chamber string orchestra, 2011;
Sveta Cecilija, magazine for spiritual music: Ave Maria (1994) for mezzosoprano and alto solo, female choir and organ, No. 4, Zagreb 2003, Sanctus (2011) for mixed choir, Magnificat (2010) for female choir, and Three Views of Osor Cathedral (2007) for piano, No. 1-2, Zagreb 2016; Memento homo (2019) for female choir, No. 1-2, Zagreb 2020.
Chamber Choir Ivan Filipović, Zagreb, Premiere performances at the Croatian Academy of Sciences and Arts – scores for mixed choirs, Musica Nova, KZIF 003: Holy (2011) for mixed choir, 2013.
Mirjana Polić Bobić: Hrvatska/Španjolska: Povijesne i kulturne veze / Croatia/Espaňa: Relaciones historicas y culturales, Most / The Bridge, Journal of Croatian Literature, Biblioteca Relations, Dvojezično izdanje / Edición bilingüe, 1/2001, Croatian Society of Writers: D. Kempf: Tri preludija (Three Preludes) / Tres Preludios (1989) and Leptir svjetlosti (Butterfly of Light) / Mariposa de luz (1996), for piano.
Discography (a selection):
Cantus – Croatian Society of Composers: A double CD, Croatian Contemporary Composers: Davorin Kempf, I Piano Music, II Chamber Music, Zagreb 2011; The Zvjezdice Girl´s Choir – 20 Years, Conductor Zdravko Šljivac, D. Kempf: The Four Seasons (1996) for female choir, CD, Zagreb 2005; Ljerka Očić, organ, Croatian Organ Music, CD 2, D. Kempf: Fantasy (1991) for organ, Zagreb 2009, CD 4, D. Kempf: Fresco (1990) for organ and large orchestra, Croatian Radio and Television Symphony Orchestra, conductor Takao Ukigaya, Zagreb 2010.
Labor Records: CD Music of Tribute, Vol. 7, Haydn, Javor Bračić, piano, D. Kempf: Sonatina (Hommage a J. Haydn) for piano (1970), New York, USA, 2011.
Chamber Choir Ivan Filipović, Zagreb, conductor Goran Jerković, Premiere performances of Croatian contemporary choral music at the Croatian Academy of Sciences and Arts, Musica Nova, KZIF, DVD-003, CD-003, D. Kempf: Holy (2011) for mixed choir, 2013.
Croatia Records: A double CD, U potrazi za novim zvukom: 1956-1984, antology of electroacoustic music by Croatian composers, CD B, D. Kempf: Interferences (1977) for organ and electronics, Zsigmond Szathmary, Organ of Zagreb Cathedral, 2016; Sebastian String Quartet, CD Quartetto, D. Kempf: Contrapunctus primus (1985) for string quartet, 2017.
Kempf´s doctoral dissertation Symmetrie und Variation als kompositorische Prinzipien: Interdisziplinäre Aspekte was published online by Freie Universität Berlin in 2008, URL: http://www.diss.fu-berlin.de/diss/receive/FUDISS_thesis_000000006569 . Also, his dissertation was published by Books on Demand, Norderstedt, Germany, in 2010.
His texts on music have been published in music and musicological magazines (International Review of the Aesthetics and Sociology of Music, Arti musices) and in the Matrix Croatica newspaper for literature, art and science „Vijenac”. His article What is Symmetry in Music? (IRASM, Vol. 27, No. 2, Zagreb 1996) was published (translated into Italian) in the book Simmetrie fra Matematica e Musica, Traduzioni di Federico Favali & Maria Mannone, Palermo University Press, in 2020. He has created numerous music broadcasts for Croatian Radio. He has given lectures on music at the Ruđer Bošković Institute in Zagreb (1992, 2003), at the Goethe Institute in Zagreb (2000), at the Scientific Platform of Matrix Croatica in Zagreb (2003), at the International Symposium CroArtScia2011, Symmetry: Art&Science, in Zagreb, at universities in Iowa City (1984, 1991), Graz (1994), Ljubljana (2000, 2002, 2005) and Maribor (2007), at the 3rd International Week, University of Ljubljana Academy of Music, Department of composition and music theory (2016), as well as at the ABI/IBC international congresses in San Francisco (1996), Dublin (2004) and Washington, D.C. (2007).
He is the recipient of the Josip Štolcer Slavenski Annual Award (1986), the Vladimir Nazor Annual Award (1986 and 2012), the Porin discographic award (2011), the Boris Papandopulo Award of the Croatian Society of Composers (2014), the Porin Lifetime Achievement Award (2016), the Croatian Academy of Sciences and Arts Award (2016) for the highest scientific and artistc achievements in the Republic of Croatia in the field of musical art for 2015, the City of Požega Lifetime Achievement Award (2017); the International Award of Recognition (1991) and the Twenty-Five Year Achievement Award (1992) both presented by the American Biographical Institute.
He initiated the foundation of the Požega Branch of the Croatian Paneuropean Union and was its first president (1998-2001).
Memberships: A member of the Croatian Society of Composers, since 1976, a lifetime member and deputy governor of the American Biographical Institute Research Association, since 1989, a member of the Deutsche Gesellschaft für elektroakustische Musik, 1997-2007, an associate member of the Croatian Academy of Sciences and Arts, 2016-2018, a full member of the Croatian Academy of Sciences and Arts, since 2018.
Selected bibliography on Davorin Kempf and his work:
Siglind Bruhn: Davorin Kempf: Drei Blicke auf den Dom von Osor, für Klavier (2007), in: Europas klingende Bilder: Eine musikalische Reise, Edition Goerz, Fachverlag für Geisteswissenschaften, Waldkirch, Deutschland, 2013.
Svjetlana Karabuva: Davorin Kempf: Una sintesi fra tradizione e innovazione, Instituto Superiore di Studi Musicali „G. Briccialdi” di Terni, Diploma accademico di II livello in discipline musicali, Scuola di Pianoforte – indirizzo solistico, Terni, Italia, 2012.
Mitja Vaupotič: Davorin Kempf: Suita za otroke (Suite for Children), Diploma Work at the University of Maribor Pedagogical Faculty, Department of Music, Maribor, Slovenia, 2007.
Helga Swanson: Participation in the International Congress on Science, Culture and Arts, Sandhill Cove Cronicle, Florida, USA, August 2004
Tonko Maroević: Lik prije zvuka – u povodu multimedijskog projekta Zvukolik Davorina Kempfa, Vijenac, br. 157, Zagreb, 2000.
American Biographical Institute, Leading Intellectuals of the World, Millenium Issue, Davorin Kempf, pp. 174/175, Copyright 2000 by the ABI.
Eva Sedak: Klassische Gärten…. und gleich wird es Abend. Die junge kroatische Komponistengeneration im Spannungsfeld der Gattungsüberschreitungen, Entgrenzungen in der Musik, Edition O. Koleritsch, Wien und Graz, 1987.