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Ivan<\/span> <\/strong>Supi\u010di\u0107<\/strong>,<\/span> a<\/span> Croatian<\/span> musicologist,<\/span> was<\/span> born<\/span> in<\/span> Zagreb<\/span> on<\/span> July<\/span> 18,<\/span> 1928.<\/span> He<\/span> completed<\/span> his<\/span> law<\/span> studies<\/span> at<\/span> the<\/span> Faculty<\/span> of<\/span> Law<\/span> (1954)<\/span> and<\/span> graduated<\/span> in<\/span> piano<\/span> from<\/span> the<\/span> Music<\/span> Academy<\/span> of<\/span> the<\/span> University<\/span> of<\/span> Zagreb<\/span> (1953,<\/span> in<\/span> the<\/span> class<\/span> of<\/span> A.<\/span> Geiger-Eichhorn),<\/span> where<\/span> in<\/span> 1956<\/span> he<\/span> became<\/span> an<\/span> assistant<\/span> professor<\/span> of<\/span> music<\/span> aesthetics<\/span> and<\/span> sociology.<\/span> He received his Doctorate<\/span> in<\/span> 1962<\/span> from<\/span> the<\/span> Sorbonne<\/span> University<\/span> of<\/span> Paris<\/span> with<\/span> a<\/span> theme<\/span> in<\/span> the field<\/span> of sociology<\/span> of<\/span> music.\u00a0<\/span>\u00a0In<\/span> 1960\u20131963,<\/span> he<\/span> acted<\/span> as<\/span> a<\/span> researcher<\/span> at<\/span> the<\/span> National<\/span> Center<\/span> for<\/span> Scientific<\/span> Research<\/span> (CNRS)<\/span> in<\/span> Paris.<\/span> From<\/span> 1976<\/span> to<\/span> 1986<\/span> he<\/span> was<\/span> a full<\/span> professor<\/span> of<\/span> musicological<\/span> subjects<\/span> at<\/span> the<\/span> Music<\/span> Academy<\/span> in<\/span> Zagreb,<\/span> and<\/span> from<\/span> 1979<\/span> to<\/span> 1993<\/span> he<\/span> taught<\/span> at<\/span> the<\/span> University<\/span> of<\/span> Strasbourg.<\/span><\/p>\n Ivan<\/span> Supi\u010di\u0107<\/span> is<\/span> the<\/span> founder<\/span> of<\/span> musicological<\/span> disciplines the <\/span>sociology of music and the aesthetics of music <\/span>in<\/span>\u00a0Croatia.\u00a0<\/span><\/span>He<\/span> dealt<\/span> with the<\/span> social<\/span> history<\/span> of<\/span> music<\/span> in<\/span> France,<\/span> the<\/span> relationship<\/span> between music<\/span> and<\/span> mass<\/span> media,<\/span> and<\/span> the<\/span> aesthetic<\/span> views<\/span> of some<\/span> Croatian<\/span> composers<\/span> of<\/span> the XX<\/span> century.\u00a0<\/span><\/p>\n He<\/span> was<\/span> the<\/span> main<\/span> initiator<\/span> of<\/span> the establishment<\/span> of<\/span> the Department<\/span> of<\/span> Musicology<\/span> and<\/span> the Musicological<\/span> Institute<\/span> at<\/span> the<\/span> Music<\/span> Academy<\/span> (late<\/span> 1960s),<\/span> as<\/span> well<\/span> as<\/span> the<\/span> Institute<\/span> for<\/span> Musicological<\/span> Research<\/span> at<\/span> the<\/span> Croatian<\/span> (then<\/span> Yugoslav)<\/span> Academy<\/span> of<\/span> Sciences<\/span> and<\/span> Arts.<\/span><\/p>\n He<\/span> has<\/span> been<\/span> a<\/span> full<\/span> member<\/span> of<\/span> the Croatian Academy of Sciences and Arts since<\/span> 1983.\u00a0<\/span>He founded and for thirty years <\/span>(1970\u20131999) was the editor-in-chief of an internationally influential Zagreb magazine International<\/span> Review<\/span> of<\/span> the<\/span> Aesthetics<\/span> and<\/span> Sociology<\/span> of<\/span> Music<\/span><\/em> (<\/span>today published by the Croatian Musicological Society, the Croatian Academy of Sciences and Arts, and the Academy of Music.\u00a0<\/span>He<\/span> was<\/span> Vice<\/span> President<\/span> (1977\u20131982)<\/span> and<\/span> President<\/span> (1982\u20131987)<\/span> of<\/span> the<\/span> International<\/span> Musicological<\/span> Society.<\/span><\/p>\n Ivan Supi\u010di\u0107 has published over 150 papers, articles and books in several languages \u200b\u200b(Croatian, French, Italian, Polish, Slovenian, German, Chinese and Catalan).\u00a0<\/span>Their content ranges from the social history and sociology of music to the aesthetics of music, cultural studies and humanistic spirituality.\u00a0<\/span>His main works are books: Estetika europske glazbe<\/em> (Zagreb, JAZU, 1978., \u0160kolska knjiga, 2006., 355 p.); Music in Society: A Guide to the Sociology of Music<\/em> (New York-Styuvesant, Pendragon Press, 1987., XIV-488 p.) <\/span>which has been published in various versions in Croatian, French, Polish and Chinese\u00a0<\/span>(Peking, 2005.); Za univerzalni humanizam. Prema potpunijoj \u010dovje\u010dnosti<\/em> (Zagreb, Kr\u0161\u0107anska sada\u0161njost, 2010., 726 p.).<\/span><\/p>\n","protected":false},"featured_media":20171,"template":"","vrste_clanova":[97],"razredi":[85],"_links":{"self":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/5500"}],"collection":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi"}],"about":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/types\/clanovi"}],"version-history":[{"count":7,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/5500\/revisions"}],"predecessor-version":[{"id":36000,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/5500\/revisions\/36000"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/media\/20171"}],"wp:attachment":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/media?parent=5500"}],"wp:term":[{"taxonomy":"vrste_clanova","embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/vrste_clanova?post=5500"},{"taxonomy":"razredi","embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/razredi?post=5500"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}