{"id":23730,"date":"2022-05-27T14:49:08","date_gmt":"2022-05-27T12:49:08","guid":{"rendered":"https:\/\/www.info.hazu.hr\/clanovi\/petlevski-sibila\/"},"modified":"2025-11-17T11:18:36","modified_gmt":"2025-11-17T10:18:36","slug":"petlevski-sibila","status":"publish","type":"clanovi","link":"https:\/\/www.info.hazu.hr\/en\/clanovi\/petlevski-sibila\/","title":{"rendered":"Petlevski Sibila"},"content":{"rendered":"<p>Academic titles:<\/p>\n<ul>\n<li>Doctor of Science<\/li>\n<li>fellow &#8211; Croatian Academy of Sciences and Arts<\/li>\n<\/ul>\n<p>Institutions:<\/p>\n<ul>\n<li>Full Professor Tenure &#8211; Department of Dramaturgy, Academy of Dramatic Art, University of Zagreb<\/li>\n<li>Corresponding member &#8211; Acad\u00e9mie Mallarm\u00e9, Paris<\/li>\n<\/ul>\n<p>Functions in Academy:<\/p>\n<ul>\n<li>member of\u00a0 Awards Committee (2\/26\/2023 \u2013 \u2026)<\/li>\n<\/ul>\n<p>Membership in Academy:<\/p>\n<ul>\n<li>full member &#8211; Department of Literature (19\/5\/2022 -)<\/li>\n<\/ul>\n<hr \/>\n<h3>Curriculum Vitae<\/h3>\n<p><strong>Sibila Petlevski<\/strong>, born on May 11, 1964, in Zagreb, is an award-winning novelist, poet and playwright, librettist, literary translator and editor of literary and scientific publications, researcher in the field of theater studies and interdisciplinary science, full professor at the Academy of Dramatic Arts. University of Zagreb,<\/p>\n<p>She graduated in Comparative Literature and English Language and Literature at the Faculty of Philosophy, University of Zagreb in 1988 receiving her master&#8217;s degree in 1991 with the thesis entitled &#8220;Theoretical Systematization of Branko Gavella&#8221;. She obtained her PhD in humanities from the Faculty of Humanities and Social Sciences, University of Zagreb in 1996 (thesis on &#8220;Modernism, Examples from Croatian Theatre and Dramatic Literature in the Central European Context&#8221;). Since the year 1996, she has been permanently employed at the Academy of Dramatic Art, University of Zagreb. She became a Full Professor in 2009. She was awarded tenure status in 2015.<\/p>\n<p>So far, she has written twenty-five books of various literary and scientific genres, edited eight scientific books, and compiled and translated an anthology of American poetry. She has written six plays (two of which have won international awards) and several musical plays\/ opera librettos).<\/p>\n<p>Sibila Petlevski is a corresponding member of the French Academy of Literature <em>L&#8217;Acad\u00e9mie Mallarm\u00e9<\/em> (the only one from Croatia and one of the few women members in the entire history of the French Poetry Academy). She is a member of <em>L\u2019Acad\u00e9mie Europ\u00e9enne de Po\u00e9sie<\/em>, and a number of professional associations such as the Croatian Writers &#8216;Association, the International Society for English Studies, the Croatian IT-UNESCO Center, the Croatian Society of Theater Critics and Theatre Scholars.<\/p>\n<p>She was the president of the Croatian Center of International PEN &#8211; the world association of writers &#8211; and served two terms in the seven-member International Committee of International PEN. She is a member of several international advisory boards of scientific journals such as <em>Interpretations, European Journal of Poetics and Hermeneutics<\/em> of the Macedonian Academy of Sciences and Arts MASA, and the journal of systems theory &#8211; <em>Interdisciplinary Description of Complex Systems<\/em> &#8211; INDECS.<\/p>\n<p>In addition to the already mentioned membership in the councils of international scientific publications, she was the editor of several domestic and foreign literary journals. From 1993 to 2015, she was a member of the editorial board and operative editor of the literary magazine Republika (renamed the Literary Republic). She was one of the founders of the newspaper for literature, art and science <em>Vijenac Matice Hrvatske<\/em>, whose literary pages she edited from 1993 to 1995. From 2001 to 2004 she was the editor of Croatian poetry in the international electronic journal of the renowned European poetry foundation <em>The Poetry International Foundation <\/em>in Rotterdam. Since 2003, she has been a member of the international editorial board of <em>Sarajevo Notebooks<\/em>.<\/p>\n<p>She is the winner of the annual <em>Vladimir Nazor Award<\/em> (1993), the<em> City of Zagreb Award<\/em> for Contribution to Science and Literature (2015), the <em>Petar Bre\u010di\u0107 Award<\/em> for Theoretical Dramaturgy (2001), the <em>T-Portal A<\/em>ward for Best Croatian Novel in 2010. She was awarded the International Poetry Prize Poeteka in 2004 (Dra\u010d, Albania). Her play &#8220;Ice General&#8221; was awarded the European selection <em>Berliner Festspiele St\u00fcckemarkt<\/em> in 2005, and her play &#8220;Lyrebird&#8221; was awarded the selection at the international competition <em>10th Women Playwright&#8217;s International<\/em> in 2015. She was awarded the International <em>Crystal Vilenica Award<\/em> (Slovenia) in 2020.<\/p>\n<p>Sibila Petlevski&#8217;s work has been represented in national and international anthologies. Her sonnets originally written in English were included in her anthology <em>50: A Celebration of Sun &amp; Moon Classics<\/em>, Los Angeles, 1995, in a selection of world classics such as Andre du Bouchet, Tristan Tzara, Mohamed Choukri, Raymond Queneau, Liliane Giraudon, Armand Gatti, F. T. Marinetti, Milo de Angelis, Rosita Copioli, Alfredo Giuliani, Friederike Mayrocker, Kurt Schwitters, Heimito von Doderer and Paul Celan.<\/p>\n<p>Her poems have been included in several anthologies of Croatian poetry published in Croatia and abroad, and several anthologies of contemporary European and world poetry such as the anthology of the European Academy of Poetry \u201cPoetry Europe\u201cpublished by Dedalus Press in 2009 in Dublin, as well as in the anthology of world poetry &#8220;Anthologie de la po\u00e9sie mondiale&#8221;, published in Editions Caract\u00e8res, Paris 2020.<\/p>\n<p>In addition to fiction and poetry titles, she has published several academic books and about 70 scientific papers, most of which belong to the category of original scientific papers in the field of art and philology with special interest in interdisciplinary theory of performance and theater aesthetics.<\/p>\n<p>She was the president of the Croatian Scientific Council for the Humanities, the head of the Dramaturgy Department at the Academy of Dramatic Art in Zagreb, and a member of the University of Zagreb Arts Council.<\/p>\n<p>She has led several international scientific projects. The work of her research group in the four-year project <em>How Practice-led Research in Artistic Performance Can Contribute to Croatian Science<\/em> (2015-2019), supported by the Croatian Science Foundation, received high marks in international evaluation. She was the principal researcher in a project supported by the Croatian Ministry of Science &#8211; <em>Discursive Identity in the Performing Arts: Bodies, Persons, Intersubjects<\/em> (2006-2011) as well as in the project<em> Theatrum mundi: research at the crossroads of art and science<\/em> funded by the University of Zagreb in 2014.<\/p>\n<p>In addition to a rich literary bibliography, she has published four monographic scientific books in the field of philological and theatrical sciences, she has edited eight books, compiled one anthology with an introductory study, and one textbook. She edited a selection from the work of Nobel Prize winner Nadine Gordimer and Branko Gavella\u2019s theoretical writings. As the editor and author of scientific studies, she revitalized the scientific and dramaturgical opus of Vladan \u0160vacov.<\/p>\n<p>Petlevski co-edited a selection of scientific papers dedicated to the life and work of Academician Nikola Batu\u0161i\u0107: <em>Permanence of the Act: Proceedings in Honor of Nikola Batu\u0161i\u0107<\/em> \/ editors B. Senker, S. Petlevski, M. Bla\u017eevi\u0107 \/, Croatian ITI Center, Zagreb 2011. She is the author of a critically commented anthology of American poetry. She has also edited four proceedings of international scientific conferences.<\/p>\n<p>She gave invited lectures at the following universities: Sorbonne Nouvelle-Paris 3 (2017); Faculty of Philosophy \/ University of Ljubljana, Slovenia (2017); Institute of Slavic Studies, Paris, France (2006); Faculty of Dramatic Arts, Skopje, Macedonia (2006); Faculty of Letters &#8211; ALW Amsterdam, Netherlands (2000); Queen Margaret University College, Edinburgh, UK (1998). She mentored PhD students at the Academy of Fine Arts, University of Ljubljana; she taught and mentored at the Postgraduate Study of the Faculty of Philosophy, University of Zagreb, and mentored at the Doctoral Study of the Faculty of Philosophy, University of Zadar.<\/p>\n<p>As a long-time artistic director of the Literary Festival &#8221; Literature Live &#8220;, she brought several hundred foreign authors to Croatia, presenting a pleiad of renowned writers, including several Nobel Prize winners, whose work she presented live and in festival editions. Through her public activities, she actively contributed to the reputation of Croatian culture abroad.<\/p>\n<p>From 1989 onwards, she has had literary readings at numerous world literary festivals and has continuously participated in international scientific and professional conferences.<\/p>\n<p><strong>Participation in international literary events<\/strong><\/p>\n<ul>\n<li>Struga Evenings of Poetry (Macedonia 1989, 2001);<\/li>\n<li>Vilenica International Literary Prize (Slovenia 1995, 2020);<\/li>\n<li>Cambridge Seminar on Contemporary British Writing (UK 1996);<\/li>\n<li>Poetry at Porto Santo (Portugal 1998);<\/li>\n<li>The Maastricht International Poetry Nights (Netherlands 1998);<\/li>\n<li>Festival of Central European Culture (London, UK 1998);<\/li>\n<li>Poetry in Lisbon &#8211; La Casa Fernando Pessoa (Portugal 1998);<\/li>\n<li>Literair Paspoort Festival: Dichter aan huis (The Hague, The Netherlands 1998);<\/li>\n<li>Villa Waldberta\u201d International Munich Artists\u2019 Center (Feldafing, Germany 1999);<\/li>\n<li>The International Poetry Festival of Barcelona (Spain 2000);<\/li>\n<li>Trnovski terceti &#8211; Poetry Festival in Ljubljana\u201d(Ljubljana, Slovenia 2000);<\/li>\n<li>Nieuw Letteren Podium (Prinses Theater, Rotterdam, The Netherlands2001);<\/li>\n<li>March\u00e9 de la Po\u00e9sie (Paris, France 2001);<\/li>\n<li>Festival internationale di poesia, (Genoa, Italy 2001);<\/li>\n<li>Voix de la M\u00e9diterran\u00e9 (Lod\u00e8ve, France 2001, 2007);<\/li>\n<li>Poetry International Rotterdam. Seminar for Editors Rotterdam, The Netherlands 2001);<\/li>\n<li>Ian Smrek International Festival (Bratislava, Slovakia, 2002);<\/li>\n<li>Hermann Hesse Festival 2002 (Calw, Germany2002);<\/li>\n<li>Mobile Arteplage Mobile du Jura &#8211; Expo 2002 (Murmures of the World: The Last Poetry Festival of the World) Project by AMJ. Projektleitung Pascal Rebetez (Neuch\u00e2tel, Switzerland 2002;<\/li>\n<li>19th International Festival of Poetry Trois-Rivi\u00e8res (3-12 October 2003, Trois-Rivi\u00e8res, Canada);<\/li>\n<li>3rd International Poetry Biennale Moscow, October 2003, Russia;<\/li>\n<li>Journ\u00e9e Mondiale de la Po\u00e9sie, (Frascati, Italy, 2004);<\/li>\n<li>Poeteka International Poetry Festival (Durres, Albania 2005);<\/li>\n<li>Berliner Festspiele TT St\u00fcckemarkt, (Berlin, Germany 2005);<\/li>\n<li>Festival of modernity. International University of Second Reconciliation. (Villa San Carlo Borromeo, Milan, Italy 2007);<\/li>\n<li>Leipziger Buchmesse (2010, Germany);<\/li>\n<li>Ex Ponto (2010, Slovenia);<\/li>\n<li>Festival Internazionale di Poezia di Genova (2010, Italy);<\/li>\n<li>PassaPorta (2010, Belgium);<\/li>\n<li>Druskinkai Poetic Fall (2011, Lithuania);<\/li>\n<li>Alte Schmiede Kunstverein (2017, Vienna, Austria)<\/li>\n<\/ul>\n<p><strong>Institutional functions:<\/strong><\/p>\n<ul>\n<li>2012 &#8211; 2014 &#8211; President of the Scientific Council for the Humanities \/ Republic of Croatia<\/li>\n<li>2011 &#8211; 2014 &#8211; Head of the Department of Theory, History and Analytics \/ Academy of Dramatic Arts, University of Zagreb<\/li>\n<li>2002 &#8211; 2005 &#8211; Head of the Department of Dramaturgy \/ Academy of Dramatic Arts, University of Zagreb<\/li>\n<li>2013 &#8211; Member of the Working Committee for Scientific Research Strategy, Technology Transfer and Innovation \/ University of Zagreb \/ \u200b\u200bCroatia<\/li>\n<li>2010 &#8211; 2011 &#8211; Member of the ADU Ethics Committee \/ Academy of Dramatic Arts, University of Zagreb \/ \u200b\u200bCroatia<\/li>\n<li>2007 &#8211; 2008 &#8211; Member of the Council of the Arts \/ University of Zagreb \/ \u200b\u200bCroatia<\/li>\n<\/ul>\n<p><strong>Memberships in scientific and professional associations:<\/strong><\/p>\n<ul>\n<li>The European Society for the Study of English ESSE (member)<\/li>\n<li>The Croatian-Canadian Academic Society HKAD (member)<\/li>\n<li>The International Theater Institute &#8211; Croatian Center ITI-UNNESCO (member)<\/li>\n<li>Croatian Society of Theater Critics and Theatrologists (member)<\/li>\n<li>Croatian Writers&#8217; Association (member)<\/li>\n<li>Croatian PEN Center<\/li>\n<\/ul>\n<p><strong>Memberships in international literary academies and art associations:<\/strong><\/p>\n<ul>\n<li>L&#8217;Acad\u00e9mie Mallarm\u00e9<\/li>\n<li>L\u2019Acad\u00e9mie Europ\u00e9enne de Po\u00e9sie<\/li>\n<li>International Poet&#8217;s Circle Athens<\/li>\n<li>International P.E.N. Center (International Board member)<\/li>\n<\/ul>\n<p><strong>Awards and scholarships:<\/strong><\/p>\n<ul>\n<li>2020 &#8211; Crystal Vilenica Poetry Award<\/li>\n<li>2015 &#8211; Award of the City of Zagreb for contribution to science and literature<\/li>\n<li>2014 &#8211; 10th Women Playwrights&#8217; International for the drama &#8220;Lyrebird&#8221;<\/li>\n<li>2010 &#8211; Passa Porta Auteurs \u00e9trangers \u00e0 Bruxelles (Literary Scholarship)<\/li>\n<li>2005 &#8211; Berliner Festspiele TT St\u00fcckemarkt Selection Award for Drama<\/li>\n<li>2002 &#8211; &#8220;Petar Bre\u010di\u0107&#8221; Award for contribution to theoretical dramaturgy<\/li>\n<li>2002 &#8211; Research Fellow, Department of Philosophy, CEU, Budapest<\/li>\n<li>1999 &#8211; Villa Waldberta International Munich Artists \u2019Center (literary scholarship)<\/li>\n<li>1993 &#8211; Vladimir Nazor Award for the book of poetry &#8220;One Hundred Alexandrian Epigrams&#8221;<\/li>\n<li>1991 &#8211; Fulbright doctoral scholarship (unused due to war).<\/li>\n<\/ul>\n<hr \/>\n<h3>Bibliography (selection)<\/h3>\n<p><strong>Poetry (books):<\/strong><\/p>\n<ul>\n<li>1988. Crystals. Kristali. Zagreb: Bi\u0161kupi\u0107 Collection.<\/li>\n<li>1990. Standing Jump. Skok s mjesta. Split: Logos.<\/li>\n<li>1993. One Hundred Alexandrian Epigrams. Sto aleksandrijskih epigrama. Zagreb: Studio grafi\u010dkih ideja.<\/li>\n<li>2000. Babylon. Multilingual bibliographic edition with graphics by Nevenka Arbanas. Languages: Croatian, English, German, Italian, Portuguese, Slovenian and Dutch. Zagreb: Pandora.<\/li>\n<li>2000. Heavy Sleepers. Bibliographic edition in English with graphics by Nevenka Arbanas. Zagreb: Pandora.<\/li>\n<li>2002. Libitina. Bibliophile edition in English with graphics by Nevenka Arbanas. Zagreb: Canvas.<\/li>\n<li>2002. Choreography of Suffering. Koreografija patnje. Zagreb: Konzor. Bilingual poetry (Croatian\/English)<\/li>\n<li>2006. Joined Faces. Spojena lica. . Zagreb: HDP: Durieux.<\/li>\n<li>2009. Joined Faces \/ Spoeni lica \/ Spojenalica. Trilingual edition, translated from English by S. Petlevski and M. Kova\u0107i\u0107ek, translated into Macedonian by Igor Isakovski. Translated by Eva Tass<\/li>\n<li>2013. Les mots de passe de l&#8217;oubli. Trans. Martina Kramer and Brankica Radi\u0107. Rustrel: Galerie Librerie L&#8217;Ollave.<\/li>\n<li>2019. <em>La oraci\u00f3n azteca Caras unidas<\/em>. Trans. \u017deljka Lovren\u010di\u0107. Tlaquepaque, Jalisco: La Zon\u00e1mbula.<\/li>\n<li>2022. Soiled With Earth, Drunk On Air. Prljavi od zemlje, pijani od zraka. Zagreb: Litteris.<\/li>\n<\/ul>\n<p><strong>Novels:<\/strong><\/p>\n<ul>\n<li>1996. <em>French Suite. Francuska suita<\/em>. Zagreb: Meandar. Novel.<\/li>\n<li>2002. <em>Choreography of Suffering. Koreografija Patnje<\/em>. Romanesque framework for poetry. Zagreb: Konzor.<\/li>\n<li>2006. <em>Night training. No\u0107ni trening. <\/em>Zapre\u0161i\u0107: Fraktura. Novel.<\/li>\n<li>2007. <em>My Antonio Diavolo. Moj Antonio Diavolo<\/em>. Zapre\u0161i\u0107: Fraktura. Novel.<\/li>\n<li>2009. <em>Time of lies &#8211; Taboo I. Vrijeme la\u017ei \u2013 Tabu I<\/em>. Zapre\u0161i\u0107: Fraktura. Novel.<\/li>\n<li>2011. <em>We Had It So Nice &#8211; Taboo II. Bilo nam je tako lijepo \u2013 Tabu II<\/em>. Zapre\u0161i\u0107: Fraktura. Novel.<\/li>\n<li>2013. <em>Twilight State &#8211; Taboo III. Stanje sumraka \u2013 Tabu III<\/em>. Zapre\u0161i\u0107: Frktura. Novel.<\/li>\n<\/ul>\n<p><strong>Plays and musical drama:<\/strong><\/p>\n<ul>\n<li>2005. <em>Ice General (Eisgeneral)<\/em>. Drama.<br \/>\nBerliner Festspiele St\u00fcckemarkt &#8211; Selection Award for the New European Drama 2005.<br \/>\nCroatian original translated into German by A. Bremer, Premiere: Croatian National Theater Vara\u017edin February 28, 2007 (stage reading, A. Armanini and K. Kr\u010dar);<br \/>\nRadio premiere of HRT 3 (2006 Directed by R. Mesari\u0107;<br \/>\nGerman version of the play translated by A. Bremer: Relations (3-4, 2006), p. 152-185.<br \/>\nCroatian version first published in Forum 2010 1-3, p. 213-283.<\/li>\n<li>2000, 2007. <em>Cagliostro Forever<\/em>, Drama in Verse. Opera libretto.<br \/>\nOriginally written in English. The author&#8217;s translation into Croatian published in the magazine Kolo. Matica hrvatska 1 magazine, spring 2000. p. 275-433 with introductory text by academician Nedjeljko Fabrio.<\/li>\n<li>2007. <em>Rimbaud\u2019s House<\/em> (a play).<br \/>\nThe play was originally written in English. The author&#8217;s translation into Croatian was premiered as a radio drama on HRT3, June 19, 2008.<\/li>\n<li>2015. <em>Lyrebird <\/em>(2015) (a play).<br \/>\nOriginally written in English. Selection Award and Stage Reading at the <em>10th Women Playwrights International Conference<\/em> in Cape Town 2015<\/li>\n<li>2016. <em>Aztec Prayer (Mexicana)<\/em>, Libretto.<br \/>\nWritten in Croatian. Composed by Mladen Tarbuk under the title &#8220;Mexicana&#8221;. Premiered on 8.11. In 2016, the HRT Choir under the direction of Mladen Tarbuk &#8211; Blagoja Bersa Hall. Zagreb. A recording of a concert from the Sfumato cycle. HRT 3 live 8.11. 2016<\/li>\n<li>2019. <em>Cagliostro Forever. <\/em>Musical libretto.<\/li>\n<\/ul>\n<p><strong>Scientific books:<\/strong><\/p>\n<ul>\n<li>2000. <em>Symptoms of Dramatic Modernity<\/em>, Mansioni. Zagreb: Croatian ITI-UNESCO Center. (Petar Bre\u010di\u0107 Award for Theoretical Dramaturgy)<\/li>\n<li>2001 <em>Theater of Interplay. Gavella&#8217;s Contribution to Theory<\/em> (2002). Zagreb: Antibarbarus. (Petar Bre\u010di\u0107 Award for Theoretical Dramaturgy)<\/li>\n<li>2008. <em>Drama and Time. Scientific essays and theater criticism<\/em>. Zagreb: Mansioni, Croatian ITI-UNESCO Center. (In the final of the &#8220;Marko Fotez&#8221; award of the Institute of Literature and Theater Studies of the Croatian Academy of Sciences and Arts)<\/li>\n<li>2015. <em>Theater of Shame. New Theatrology Essays<\/em>. Zagreb: Leykam International.<\/li>\n<\/ul>\n<p><strong>Scholarly books and anthologies:<\/strong><\/p>\n<ul>\n<li>1991 <em>Spin-off. An Anthology of Recent American Poetry<\/em>. Zagreb: Matica hrvatska Publishing House. (Author of selections, translations, critical comments and introductory studies)<\/li>\n<li>2004. <em>Book on Water<\/em>. Professional book in the field of ecology and mythology of water for high school with illustrations by Biserka Bareti\u0107. Zagreb: Kigen.<\/li>\n<\/ul>\n<p><strong>Edited academic books: <\/strong><\/p>\n<ul>\n<li>1994. <em>Great Europe &#8211; Small Nations<\/em>. Zagreb: AGM.<\/li>\n<li>2001. <em>Metaphors of Progress. Literature and Globalization<\/em>. 24. Zagreb Literary Conversations. Zagreb: DHK-PEN.<\/li>\n<li>2011. <em>Spaces of Identity in the Performing Sphere<\/em>. Zagreb: Fraktura: ADU. Co-edited with Goran Pavli\u0107.<\/li>\n<li>2011. <em>Permanence of the act: a collection in honor of Nikola Batu\u0161i\u0107<\/em>. Zagreb: Hrvatski centar ITI. Coedited with Marin Bla\u017eevi\u0107 and Boris Senker.<\/li>\n<li>2015. <em>Theatrum Mundi. Interdisciplinary Perspectives<\/em>, Zagreb: ADU. Co-edited with Goran Pavli\u0107.<\/li>\n<\/ul>\n<p><strong>Edited academic books accompanied by scientific studies:<\/strong><\/p>\n<ol>\n<li><em>Nadine Gordimer:My Son\u2019s Story.<\/em> Petlevski S. (ed.) (1994) Nobel Laureates Library, Vol. 2, Zagreb: \u0160kolska knjiga. (Selected works of South African writer Nadine Gordimer, edited and accompanied by a scientific study, partly translated from English)<\/li>\n<li>Branko Gavella: The double face of speech. Petlevski, Sibila (ed.) (2005) Zagreb: Center for Dramatic Arts. (Selected from the legacy of Branko Gavelle Prepared, selected and accompanied by a scientific study entitled &#8220;Space of Exchange; a study on Gavella&#8217;s search for a methodology of cultural history&#8221;)<\/li>\n<li>Vladan \u0160vacov: Foundations of dramaturgy. Petlevski, Sibila, editor (s) (2018). Zagreb: Hrvatska sveu\u010dili\u0161na naklada \/ Akademija dramske umjetnosti. (Editor and author of the introductory scientific study)<\/li>\n<\/ol>\n<p><strong>Scientific papers (selection):<\/strong><\/p>\n<ol>\n<li>Petlevski, S. (2021) \u201cBijeg od filozofije. Povratak Saturnu. nekoliko misli o pjesni\u0161tvu Katice Kulavkove\u201d. (\u201cFlight from Philosopjy \u2013 Return to Saturn. A few thoughts on the poetry of Katica \u1e30ulavkova\u201d) In: Kulavkova, Katica. Mitevski, Vitomir, Markovi\u0107, Marjan (ur.) \u041f\u0420\u0418\u041b\u041e\u0417\u0418 CONTRIBUTIONS XLVI 2. Contributions of the Department of Linguistics and Literary Science of the Macedonian Academy of Sciences and Arts (OLLN). Skopje, Macedonian Academy of Sciences and Arts (MASA). 315-328.<\/li>\n<li>Petlevski, S. (2021) \u201eOdustajanje od Metafizike\u201c. (\u201cGiving up Metaphysics\u201d) In: Paljetak, Luko (2021) <em>Odustajanje od dana<\/em>. Split: Naklada Bo\u0161kovi\u0107. 83-91.<\/li>\n<li>Petlevski, S. &amp; Gazarov, D. (2020) \u201cPrekograni\u010dna estetika: inovativne metodologije prou\u010davanja \u017eive ba\u0161tine\u201d. (\u201cCross-border aesthetics: innovative methodologies of living heritage research\u201d). In: Malczak, L. &amp; Abrasowicz, G. (eds.) Od mobilnosti do interakcije. dramsko pismo i kazali\u0161te u Bosni i Hercegovini, Crnoj Gori, Hrvatskoj, na Kosovu, u Makedoniji, Sloveniji i Srbiji. Katowice, Wydawnictwo Uniwersytetu \u015al\u0105skiego. 311-332 doi:10.31261\/pn.3977.19.<\/li>\n<li>Petlevski, S. (2019) <em>A Strange-face-in-the-mirror Illusion in Art Perception and Artistic Self-perception<\/em>. International peer-review, audio \/ video. &#8220;Mirror, Mirror: Perceptions, Deceptions, and Reflections in Time&#8221; International Conference 9 March 2019. Birkbeck College, University of London organized by London Centre for Interdisciplinary Research. doi:10.13140\/RG.2.2.24959.66726.<\/li>\n<li>Petlevski, S. (2018) \u201cModeling the Model: The World Beyond the Immediate Sensorium\u201d. U: Marki\u010d, O., Strle, T., Kolenik, T., Korde\u0161, U. &amp; Gams, M. (eds.) Proceedings of the 20th International Multiconference INFORMATION SOCIETY \u2014 IS 2017 Volume B Cognitive Science. Ljubljana, Information Society. 44-47.<\/li>\n<li>Stepani\u0107, J. &amp; Petlevski, S. (2018) \u201cContribution of the Knowledge Competitions in Education related to Systems Science\u201d. Book of Abstracts of the 5thBusiness Systems Laboratory International Symposium \u201cCocreating Responsible Futures in the Digital Age\u201d.<\/li>\n<li>Petlevski, S. (2017) \u201cChoreomanic NeuroDance and Its Aesthetics: Dance Research and Controversies Connected to Cognitive Neuroscience and Meme Theory\u201d. Eds. Dalila Honorato, A. (ed.) TABOO-TRANSGRESSION-TRANSCENDENCE in Art and Scienc. Corfu, Ionian University Department of Audio and Visual Arts. 650-674.<\/li>\n<li>Petlevski, S. (2017) \u201cAn Early Concept of the Theatre of Interplay: The Relevance of Branko Gavella\u2019s Theory for the Development of Performance Philosophy.\u201d Performance Philosophy Journal, 3 (1), 216-232.<\/li>\n<li>Petlevski, S. (2017) FILOZOFIJA METODOLOGIJE: kako kvalitativno istra\u017eivanje u humanistici i praksom vo\u0111eno istra\u017eivanje umjetnosti mo\u017ee doprinijeti promjeni znanstvene paradigme. (PHILOSOPHY OF METHODOLOGY: how qualitative research in the humanities and practice-led art research can contribute to changing the scientific paradigm). In: Grgi\u0107, Filip, Martinovi\u0107, Ivica (ed.) The meaning of the humanities. Zagreb, Institute of Philosophy. 121-135.<\/li>\n<li>Petlevski, S. (2017) \u201cNEW INSIGHTS INTO THE CONCEPT OF DECADENCE\u201d. <em>Umjetnost rije\u010di : \u010dasopis za znanost o knji\u017eevnosti<\/em>, LIX (3-4), 261-295.<\/li>\n<li>Petlevski, S. (2017) \u201cEksplanacija kao unifikacija i eksplanatorni pluralizam: redukcija, asimilacija ili dinami\u010dka sinteza?\u201d (\u201cExplanation as unification and explanatory pluralism: reduction, assimilation, or dynamic synthesis?\u201d). <em>Narodna umjetnost : hrvatski \u010dasopis za etnologiju i folkloristiku<\/em>, 54 (2),\u00a0 7-26 doi:10.15176\/vol54no201.<\/li>\n<li>Petlevski, S. (2015) \u201cFikcionalizacija povijesti i beletrizacija \u2018Velikog rata\u2019&#8221; (\u201cFictionalization of History and Fiction of the &#8220;Great War&#8221;. In: Senker, B. &amp; Glun\u010di\u0107-Bu\u017ean\u010di\u0107, V. (eds.) The First World War in Cultural Memory. <em>Prvi svjetski rat u kulturnom pam\u0107enju<\/em>. Dani Hvarskog kazali\u0161ta. Gra\u0111a i rasprave o hrvatskoj knji\u017eevnosti i kazali\u0161tu. Zagreb-Split, HAZU; Knji\u017eevni krug Split. 74-105.<\/li>\n<li>Petlevski, S. (2015) \u201cRedefining \u2018Spontaneity\u2019\u201d. In: Petlevski, S. &amp; Pavli\u0107 Goran (eds.) <em>THEATRUM MUNDI. Interdisciplinary Perspectives<\/em>. Zagreb, ADU Akademija dramske umjetnosti Sveu\u010dili\u0161ta u Zagrebu. 23-49.<\/li>\n<li>Petlevski, S. (2015) \u201cMato\u0161eva simptomatologija moderniteta: modernizam, bodelerizam, dekadencija\u201d. (\u201cMato\u0161&#8217;s symptomatology of modernity: modernism, bodelerism, decadence\u201d. In: Vrhovac, Y. (ed.) <em>Mato\u0161 in Paris<\/em>. Zagreb, FF-press; Faculty of Philosophy in Zagreb. <em>Mato\u0161 u Parizu<\/em>. Zagreb, FF-press; Filozofski fakultet u Zagrebu. 67-82.<\/li>\n<li>Petlevski, S. (2014) \u201cBeyond Identity: The Dynamic Self at the Intersection of Performance Philosophy and the Philosophy of Science\u201d. <em>Interdisciplinary Description of Complex Systems<\/em>, 12 (3), 187-209 doi:10.7906\/indecs.12.3.1.<\/li>\n<li>Petlevski (2014). \u201cUvodna studija\u201d (\u201cIntroductory Study\u201d). <em>In: <\/em> \u0160vacov (2014)<em> Klasi\u010dna dramaturgija; antropografija anti\u010dke drame. <\/em>ArTrezor, Zagreb. 5-36.<\/li>\n<li>Petlevski (2014) \u00abMetafizika svakodnevice\u00bb. (&#8220;Metaphysics of everyday life&#8221;). <em>Nova prisutnost\/ New Presence: Review for Intellectual and spiritual questions<\/em>, Vol. XII No1, March 2014, 171-175.<\/li>\n<li>Petlevski (2014) \u00abTragom Vladana \u0160vacova: anti\u010dka dramaturgija u postdramskom vremenu\u00bb (&#8220;In the Footsteps of Vladan \u0160vacov: Ancient Dramaturgy in the Post-Dramatic Time\u201c) Dani hvarskog kazali\u0161ta.\/<em> Dani Hvarskog kazali\u0161ta<\/em>, Vol.40 No.1. April 2014, 297 \u2013 324.<\/li>\n<li>Petlevski, Sibila (2012) \u201cTipologija prostornosti u Gavellinom teorijskom sistemu i njeni poticaji za istra\u017eivanje u izvedbenoj praksi danas\u201d. \u201cTypology of spatiality in Gavella&#8217;s theoretical system and its incentives for research in performance practice today\u201d. In: <em>Dani Hvarskog kazali\u0161ta. <\/em>Hvar, knji\u017eevnost i kazali\u0161te \/ [Eds. Jel\u010di\u0107, Senker, Glun\u010di\u0107-Bu\u017ean\u010di\u0107]. Zagreb; Split: Hrvatska akadem\u0133a znanosti i umjetnosti: Knji\u017eevni krug, 2012. 171-218.<\/li>\n<li>Petlevski, S. (2012) \u201cRedefining Spontaneity\u201d. In: Medenica, I. (ed.) <em>The Actor is Dead &#8211; Long Live the Actor<\/em>. Sterijino Pozorje, Novi Sad and International Association of Theatre Critics (IATC) 14th INTERNATIONAL SYMPOSIUM OF THEATRE CRITICS&#8217; &amp; SCHOLARS. Novi Sad, Serbia, Sterijino pozorje\/International Association of Theatre Critics (IATC).<\/li>\n<li>Petlevski, S. (2012) \u201cPolitika dokolice; umjetnost dokoli\u010darenja\u201d (\u201cThe Politics of Leasure\u201d \u2013 The Art of Having Leasure\u201d). Nova Istra 3-4. Dokolica. Istarski ogranak DHK: Pula, 3-4 (Year XVII. -Vol. 46.), 33-41.<\/li>\n<li>Petlevski, S. (2012) \u201cLikovnost i poezija\u201d. (\u201cFine Arts and Poetry\u201d). <em>Knji\u017eevna republika : \u010dasopis za knji\u017eevnost<\/em>, 1-3, 76-90.<\/li>\n<li>Petlevski, S. (2012) \u201cPeti red balkona &#8211; Fran Galovi\u0107 kao kroni\u010dar hrvatskog glumi\u0161ta.\u201d (\u201cThe fifth row of the balcony &#8211; Fran Galovi\u0107 as a chronicler of Croatian acting.\u201d) In: He\u0107imovi\u0107, B. (ed.) Na\u0161i i strani povjesni\u010dari hrvatske drame i kazali\u0161ta, teatrolozi i kriti\u010dari : Drugi dio\/Krle\u017eini dani u Osijeku 2011. Zagreb-Osijek, Zavod za povijest hrvatske knji\u017eevnosti, kazali\u0161ta i glazbe HAZU, Odsjek za povijest hrvatskog kazali\u0161ta:Hrvatsko narodno kazali\u0161te : Filozofski fakultet. 92-110<\/li>\n<li>Petlevski, S. (2012) \u00abPerennial Modernity\u00bb. Jereb (Ed.). 44th International Bled Conference, Bled May 8th \u2013 12th. Slovene PEN: Bled. 2012. 58-67.<\/li>\n<li>Petlevski (2012). <em>Redefining Spontaneity<\/em>. Electronic version available at: <a href=\"http:\/\/www.pozorje.org.rs\/2012\/simpozijumeng.htm\/\">http:\/\/www.pozorje.org.rs\/2012\/simpozijumeng.htm\/<\/a> International Symposium of Theatre Critics &amp; Scholars. Novi Sad, May 26th \u2013 27th. <em>International Association of Theatre Critics (IATC)<\/em>.<\/li>\n<li>Petlevski, S. (2011) \u201cVirulent Ideas, Memetic Engineering, Memeoid Identity, Aesthetic Warfare\u201d. In: Petlevski, S. &amp; Pavli\u0107, G. (eds.) <em>Spaces of Identity in the Performing Sphere<\/em>. Zagreb, Fraktura, ADU. 15-49.<\/li>\n<li>Petlevski, S. (2011) \u201cZaboravljeno lice moderne: Viktor Tausk kao dramski pisac.\u201d (\u201cThe Forgotten Face of Modernism: Viktor Tausk as a playwright.\u201d In: He\u0107imovi\u0107 (ed.) Na\u0161i i strani povjesni\u010dari hrvatske drame i kazali\u0161ta, teatrolozi i kriti\u010dari : prvi dio : u spomen Nikoli Batu\u0161i\u0107u \/ Krle\u017eini dani u Osijeku 2010,. Zagreb\/Osijek, Hrvatska akademija znanosti i umjetnosti (HAZU): Hrvatsko narodno kazali\u0161te: Filozofski fakultet. 67-78.<\/li>\n<li>Petlevski, S. (2010) \u201cDramski diskurs i istina. Parrhesia u suvremenom hrvatskom kazali\u0161tu\u201d. (\u201cDramatic Discourse and Truth. Parrhesia in contemporary Croatian theater.\u201d In: He\u0107imovi\u0107, B. (ed.) Hrvatska drama i kazali\u0161te i dru\u0161tvo: Krle\u017eini dani u Osijeku 2009. \/Osijek\/Zagreb, HAZU. 206-217.<\/li>\n<li>Petlevski, S. (2010). <em>Literary Search for Lost Justice and Identity. <\/em>Russian translation\/\/ Sinii divan: filosofsko-teoreticheskii zhurnal. Blue sofa: Philosophical and theoretical journal. Issue 15 \/ Elena Petrovskaja (ed.) Moskva: Trikvadrata, 2010. 157-167.<\/li>\n<li>Petlevski, S. (2010). \u00ab\u00a0<a href=\"http:\/\/bib.irb.hr\/prikazi-rad?&amp;rad=324284\">Postavljanje vremena na scenu<\/a>\u00bb. (\u00ab\u00a0Putting time on stage\u00a0\u00bb. In : <em>Drama i vrijeme &#8211; vrijeme kao dramska tema i dramsko sredstvo, forme vremena i slike vremena<\/em> \/ Ba\u0161ovi\u0107, Amir, An\u0111elkovi\u0107, Sava (ur.) Sarajevo : Dobra knjiga, 2010. \u00a0177-191.<\/li>\n<li>Petlevski, S. (2009).<em>Politika izvedbe\/ Izvedba politike<\/em>. In: <em>Dani hvarskog kazali\u0161ta. Nazbilj i nahvao: eti\u010dke suprotnosti u hrvatskoj knji\u017eevnosti i kazali\u0161tu od Marina Dr\u017ei\u0107a do na\u0161ih dana<\/em> \/ Batu\u0161i\u0107,; Bogi\u0161i\u0107; Pavli\u010di\u0107,; Mogu\u0161, (eds.) Zagreb; Split: HAZU ; Knji\u017eevni krug, 2009. 302-320<\/li>\n<li>Petlevski, S. (2008) \u201cFreedom, Obstacle and Time\u201d. In: Verdiglione, A. (ed.) <em>La libert\u00e0. <\/em><em>Atti del Festival della modernit\u00e0<\/em>. Milano, Spirali &#8211; Universit\u00e0 internazionale del secondo rinascimento. 253-263.<\/li>\n<li>Petlevski, S. (2008) \u201cIntellectual Politics: European consciousness: literary, cultural and civilizational aspects\u201d. In: Jereb, E. (ed.) <em>40th INTERNATIONAL BLED CONFERENCE: European consciousness<\/em>. Ljubljana\/Bled, Slovenian PEN Centre. 79-84.<\/li>\n<li>Petlevski, S. (2008) \u201cPo\u010deci sustavnog teorijskog promi\u0161ljanja kazali\u0161ne re\u017eije &#8211; problemi i dosezi.\u201d (\u201cThe beginnings of systematic theoretical thinking of theater directing &#8211; problems and achievements\u201d) In: Batu\u0161i\u0107, N., Bogi\u0161i\u0107, R., Pavli\u010di\u0107, P. &amp; Mogu\u0161, M. (eds.) DANI HVARSKOG KAZALI\u0160TA. Po\u010deci u hrvatskoj knji\u017eevnosti i kazali\u0161tu.. Zagreb; Split, Hrvatska akademija znanosti i umjetnosti ; Knji\u017eevni krug. 183-196.<\/li>\n<li>Petlevski, S. (2008) &#8220;Recycling Memories&#8221; into Theatrical Concepts: the Politics of Memory.\u201d In: Kulavkova, K. (ed.) <em>Memory and Interpretation. Interpretation. European Research Project for Poetics &amp; Hermeneutics.<\/em> Volume No. 2. (2008). Skopje, Macedonian Academy of Sciences and Arts. 215-231.<\/li>\n<li>Petlevski (2008) \u201cIntellectual Politics Today.\u201d In: Verdiglione, A. (ed.) La Politica. Festival dellamodernit\u00e0<strong>. <\/strong>Milano 29 novembre-2 dicembre 2007. Milano\u00a0: Spirali.163-172.<\/li>\n<li>Petlevski, S. (2007) &#8220;Recycling&#8221; memories into Theatrical Concepts: the Politics of Memory. U: Scientific Conference &#8220;Memory and Interpretation&#8221;. European Research Project and Framework for Poetics &amp; Hermeneutics of Interpretations: proceedings. Skopje, Macedonia.<\/li>\n<li>Petlevski, S. (2007) \u201cBranko Gavella: the Director as Thinker.\u201d In: Cornis-Pope, M. &amp; Neubauer, J. (eds.) <em>History of the Literary Cultures of East-Central Europe Junctures and disjunctures in the 19th and 20th centuries Volume III: The making and remaking of literary institutions<\/em>. Amsterdam, John Benjamins Publishing . 215-217.<\/li>\n<li>Petlevski, S. (2007) \u201c&#8217;Tendem&#8217;, Vuj\u010di\u0107eva drama za neizvo\u0111enje\u201d. (\u201c&#8217;Tendem&#8217;, Vuj\u010di\u0107&#8217;s non-performance play\u201d) .In: Batu\u0161i\u0107, N. (ed.) <em>Dani Hvarskog kazali\u0161ta, Pre\u0161u\u0107eno, zabranjeno, izazovno u hrvatskoj knji\u017eevnosti i kazali\u0161tu<\/em>. Days of the Hvar Theater, Silenced, Forbidden, Challenging in Croatian Literature and Theater. Zagreb: Split, Hrvatska akademija znanosti i umjetnosti ; Knji\u017eevni krug. 518-526.<\/li>\n<li>Petlevski, S. (2007) \u201c<a href=\"http:\/\/bib.irb.hr\/prikazi-rad?&amp;rad=318326\">Katarza smijehom. Obljetnica Ive Bre\u0161ana.<\/a>\u201d (\u201cCatharsis with laughter. Anniversary of Ivo Bre\u0161an.)\u201d. <em>Knji\u017eevna republika<\/em>. IV (2006), 11-12; 29-36.<\/li>\n<li>Petlevski, S. (2007) \u201cViolence in Arts: Performing and Witnessing\u201d. In: Kulavkova, K. (eds.) <em> Violence &amp; Art<\/em>. Skopje, Macedonian Academy of Sciences and Arts215-231.<\/li>\n<li>Petlevski, S. (2007) \u201cGovor glume &#8211; recentna scena\u201d. (\u201cThe Speech of Acting \u2013 Contemporary Scene\u201d In: An\u0111elkovi\u0107, S. &amp; Senker, B. eds.) <em>Govor drame &#8211; govor glume:<\/em> Zbornik radova sa simpozija Dramski tekst danas u Bosni i Hercegovini, Hrvatskoj te Srbiji i Crnoj Gori. Zagreb, Disput. 173-197.<\/li>\n<li>Petlevski, S. (2006) \u201e&#8221;Mesnate mimoze&#8221; : rasap tijela, primjer iz hrvatskog dramskog ekspresionizma.\u201c (\u201c&#8221;Fleshy Mimosas&#8221;: Disintegration of the Body, an Example from Croatian Dramatic Expressionism.\u201d) In: He\u0107imovi\u0107, B. (ur.) Krle\u017eini dani u Osijeku : Tijelo, rije\u010d i prostor u hrvatskoj drami i kazali\u0161tu. Zagreb, Osijek, Zavod za povijest hrvatske knji\u017eevnosti, kazali\u0161ta i glazbe HAZU, Odsjek za povijest hrvatskog kazali\u0161ta ; Hrvatsko narodno kazali\u0161te : Filozofski fakulte. 154-165.<\/li>\n<li>Petlevski, S. (2006) \u201cIntroductory Notes to the Topic of Discursive Identity in Performing Arts\u201d. In: Lu\u017eina, J. (eds.) <em>Theatre and Identity<\/em>. Skopje, Faculty of Dramatic Art. 49-61.<\/li>\n<li>Petlevski, S. (2006) \u201c<a href=\"http:\/\/bib.irb.hr\/prikazi-rad?&amp;rad=318248\">Small Form in the New Croatian Drama<\/a>.\u201d \/\/ <em>Revue des \u00e9tudes slaves<\/em>. 77 (2006), 2-3; 43-54<\/li>\n<li>Petlevski, S. (2005) \u201cProstor razmjene. Uvodna studija o Gavellinoj potrazi za metodologijom kulturne povijesti\u201d (\u201cSpace of exchange. An introductory study of Gavella\u2019s search for a methodology of cultural history\u201d). In: Petlevski, S. (ed.) <em>Branko Gavella \/ Dvostruko lice govora<\/em>. Zagreb: Centar za dramsku umjetnost. 7-38.<\/li>\n<li>Petlevski, S. \u201eBezbri\u017ean kao djetinjstvo\u201c (&#8220;Carefree as a Childhood&#8221;). In: <em>Miljenko Kova\u010di\u0107ek; Izabrani prozori<\/em>. Menadar, Zagreb 2005. 87-92.<\/li>\n<li>Petlevski, S. (2004) \u00ab\u00a0Mala forma u novoj hrvatskoj drami\u00a0\u00bb . (\u00ab\u00a0&#8220;Small form in the new Croatian drama&#8221;). In: An\u0111elkovi\u0107, S. (ed.) <em>Dramski tekst danas u Bosni i hercegovini, Hrvatskoj i Srbiji i Crnoj Gori<\/em>. International Symposium of University Lecturers, Theatrologists and Theater Critics Universite Paris IV &#8211; Sorbonne, November 15 and 16, 2003. Novi Sad, Sterijino Pozorje and the International Association of Theater Critics (AICT), p. 31-41.<\/li>\n<li>Petlevski, S. (2003) \u00ab\u00a0Kazali\u0161te rije\u010di Ivana Slamniga\u00a0\u00bb (\u201cTheater of the Word of Ivan Slamnig\u00bb.In: Rem, G. (ed.) <em>O Slamnigu. Modernitet druge polovice dvadesetog stolje\u0107a, Ivan Slamnig &amp; Boro Pavlovi\u0107<\/em>. Osijek, Pedago\u0161ki fakultet u Osijeku. 275-284.<\/li>\n<li>Petlevski, S. (2003) \u201cBijesno pseto dvadesetih\u201d (\u201cThe Angry Dog of the Twenties\u201d. In: Batu\u0161i\u0107, N. (ed.) <em>Dani hvarskog kazali\u0161ta\/ Hrvatska knji\u017eevnost i kazali\u0161te dvadesetih godina 20. stolje\u0107a<\/em>. Zagreb-Split, HAZU-Knji\u017eevni krug. 160-173.<\/li>\n<li>Petlevski, S. (2003) \u201cJezik glume\u201d. (\u201cThe Language of Acting\u201d) In: Barbari\u0107, D. (ed.) <em>Promi\u0161ljanje umjetnosti<\/em>. Vara\u017edin, Hrvatska, Udruga za promicanje filozofije, UPF. Petlevski, S. (2003) \u201cJezik drame\u201d u: <em>Zagonetka umjetnosti<\/em> \/ priredio Damir Barbari\u0107. &#8211; Zagreb : Demetra, 2003.<\/li>\n<li>Petlevski, S. (2002) \u201cGavella u svjetlu recentnih teorija glume.\u201d (\u201cGavella in the light of recent theories of acting.\u201d In: He\u0107imovi\u0107, B. (ed.) <em>Krle\u017eini dani u Osijeku. Hrvatska dramska knji\u017eevnost i kazali\u0161te &#8211; inventura milenija, II. dio.<\/em> Zagreb &#8211; Osjek, Zavod za pov. hrv. knj. HAZU ; HNK, Osijek.157-166.<\/li>\n<li>Petlevski, S. (2002) \u201cNa strani ja\u010dega: o dramskoj poetici Tomislava Durbe\u0161i\u0107a\u201d. \u201cOn the side of the stronger: on the dramatic poetics of Tomislav Durbe\u0161i\u0107\u201d. <em>Kazali\u0161te<\/em> \/ ed. S. Nik\u010devi\u0107. &#8211; God. V, 2002, br. 9-10; Zagreb : AGM, str. 84-87. Extended version in: <em>Tomislav Durbe\u0161i\u0107, Drames choisis<\/em>, Hrvatski centar ITI-UNESCO, Zagreb 2002.<\/li>\n<li>Petlevski, S. (2002) \u201cAvangardizmi i anakronizmi hrvatske dramske moderne.\u201d (\u201cAvant-gardisms and anachronisms of Croatian dramatic modernism.\u201d In: Batu\u0161i\u0107, N. (ed.) Dani hvarskog kazali\u0161ta. Knji\u017eevnost i kazali\u0161te hrvatske moderne- bilanca stolje\u0107a, II.. Zagreb &#8211; Split, HAZU, Knji\u017eevni krug Split. 96-107.<\/li>\n<li>Petlevski, S. (2002) \u201eVeliko \u0161etali\u0161te\u201c. (\u201eThe Great Promenade\u201d). In: Donat, B. (ed.) Knji\u017eevna kritika o Slavku Mihali\u0107u. Zagreb, Dora Krupi\u0107eva. 216-219.<\/li>\n<li>Petlevski, S. (2002) \u201eDer achttfache Weg meiner Hesse-Lekt\u00fcre\u201c. In: Uli Rothfuss (ed.) <em>Mein Hermann Hesse. Eine Hommage<\/em>. Berlin, Ed. q in der Quintessenz-Verl.-Ges. 162-171.<\/li>\n<li>Petlevski, S. (2001) \u201eDvije Krle\u017eine godine: Dramaturgija utopije i dramaturgija vizije\u201c.(\u201e Krle\u017ea\u2019 two years: Dramaturgy of utopia and dramaturgy of vision\u201d). In: He\u0107imovi\u0107, B. (ed.) Krle\u017eini dani u Osijeku. Hrvatska dramska knji\u017eevnost i kazali\u0161te &#8211; inventura milenija, I. dio. Zagreb &#8211; Osijek, Zavod za pov. hrv. knj., kaz. i gl., HAZU ; HNK, Osijek. 164-173.<\/li>\n<li>Petlevski, S. (2001) \u00abA Moving Target: Theatre Criticism and its Audience\u00bb. <em>Theatre criticism today<\/em> : Pula 1998, Pula 1999, Zagreb 2000 : a selection of papers from three years of international Theatre Forum in Croatia \/ edited by S. Nik\u010devi\u0107. Zagreb : Croatian Centre of ITI-UNESCO, 2001.<\/li>\n<li>Petlevski, S. (2001) \u00abMate Mati\u0161i\u0107: dijalog s jezi\u010dnim kodovima\u00bb. (\u201c&#8221;Mate Mati\u0161i\u0107: Dialogue with Language Codes&#8221;) Previously presented at the international scientific conference &#8220;Contemporary Croatian Comedy&#8221; March 9-11, 2001 &#8220;Croatian Drama&#8221; \/ Matica hrvatska, Zagreb 2001. <em>Kazali\u0161te<\/em> 2001, No. 5-6<\/li>\n<li>Petlevski, S. (2001, 2007) \u201cSlobodan \u0160najder: <em>Zaru\u010dnica od vjetra<\/em>\u201d (\u201c \u201cSlobodan \u0160najder: The Wind\u201ds Bride\u201d). Proceedings of the International Scientific Conference Contemporary Croatian Drama in the Eighties and Nineties, March 9-11, 2000. Matica hrvatska, Zagreb 2007. Also in : Petlevski, Sibila. <em>Drama i vrijeme<\/em>. ITI 2007. 156-162.<\/li>\n<li>Petlevski, S. (2000) \u00abKnji\u017eevnoteorijski izazov libreta\u00bb (\u201c&#8221;Literary Theoretical Challenge of Libretto<em>&#8220;). Krle\u017eini dani u Osijeku 1999. Hrvatska dramska knji\u017eevnost i kazali\u0161te u europskom kontekstu<\/em>. Zavod za povijest hrvatske knji\u017eevnosti i glazbe HAZU, Odsjek za povijest hrvatskog kazali\u0161ta, Zagreb, HNK u Osijeku, pedago\u0161ki fakultet, Osijek, Zagreb-Osijek 2000. 134-141.<\/li>\n<li>Petlevski, S. (1999) Razvojnopoeti\u010dke spojnice Gavella i Jhering &#8211; teoreti\u010dari povijesti glumi\u0161ta. (\u201cDevelopmental-poetic connections between Gavella and Jhering &#8211; theorists of the history of acting\u201d). In: <em>Krle\u017eini dani: Hrvatska drama u europskom kontekstu, Knjiga I.<\/em> Zagreb-Osijek, HNK Osijek, Pedago\u0161ki fakultet Osijek, itd. 54-63.<\/li>\n<li>Petlevski, S. (1998) \u201cGeorge Bernard Shaw u hrvatskom ozra\u010dju\u201d. (\u201cGeorge Bernard Shaw in the Croatian milieu.\u201d) In: Krle\u017eini dani. &#8211; HNK u Osijeku, Pedago\u0161ki fakultet u Osijeku. 185-192.<\/li>\n<li>Petlevski, S. (1998) \u00abAntun \u0160oljan \u2013 iskustvo zbilje\u00bb (\u201cAntun \u0160oljan &#8211; the experience of reality&#8221;. In: <em>Knji\u017eevna kritika o Antunu \u0160oljanu. <\/em> Branimir Donat, Zagreb: Dora Krupi\u0107eva. 287-295.<\/li>\n<li>Petlevski, S. (1998) \u00ab<em>Nepobjediva la\u0111a<\/em> na Panonskom moru\u00bb (\u201cInvincible Ship on the Pannonian Sea&#8221;, <em>Krle\u017eini dani u Osijeku 1996, Osijek i Slavonija \u2013 hrvatska dramska knji\u017eevnost i kazali\u0161t<\/em>e, Scientific conference in honor of the 90th anniversary of the Croatian National Theater in Osijek, HNK in Osijek, Faculty of Education Osijek, Department of the History of Croatian Theater HAZU, Osijek-Zagreb 1998<\/li>\n<li>Petlevski, S. \u201cIt is Not Theatre\u201d. <em>Most<\/em>. n\/a (1997) 1-2; 128-138.<\/li>\n<li>Petlevski, S. (1997) \u201cSlobodan \u0160najder: <em> Smrtopis<\/em>&#8220;. In: Branko He\u0107imovi\u0107 i Boris Senker (ur.) Krle\u017eini dani u Osijeku, Suvremena hrvatska dramska knji\u017eevnost i kazali\u0161te od 1968\/1971. do danas, Druga knjiga. -, Hrvatsko narodno kazali\u0161te u Osijeku, Pedago\u0161ki fakultet, Osijek. 94-106.<\/li>\n<li>Petlevski, S. (1997) \u201cAntun \u0160oljan \u2013 navigacija \u017eanra\u00bb (\u201cAntun \u0160oljan &#8211; genre navigation\u00bb. <em>Nova Istra<\/em>, No. 4.<\/li>\n<li>Petlevski, S. (1997) \u201cNadine Gordimer \u2013 Bringing European Ideas back to African Reality\u00bb, <em>English Studies in Croatia<\/em>, Zagreb 1995, Hrvatsko dru\u0161tvo za anglisti\u010dke studije, <em>Studia Romanica et Anglica Zagrabiensia<\/em>, (0039-3339) XLII (1997). 285-298.<\/li>\n<li>Petlevski, S. (1994) \u00abNadine Gordimer \u2013 Stvaranje vlastitog poretka u kaosu\u00bb. \u201eNadine Gordimer &#8211; Creating Ones Own Order in Chaos&#8221;, In: <em>NADINE GORDIMER<\/em>, \u0160kolska knjiga, Zagreb 1994. 343-361<\/li>\n<li>Petlevski, S. (1993) \u201cLiterature and Identity\u00bb, <em>Balkan Forum, An International Journal of Politics, Economics and Culture,<\/em> Vol 1. No. 5, December 1993. 69-85.<\/li>\n<li>Petlevski, S. (1992) \u00abAntun \u0160oljan, iskustvo zbilje\u00bb, (\u00abAntun \u0160oljan, the experience of reality\u00bb). <em>Republika,<\/em> 11-12, 1992, 46-53.<\/li>\n<li>Petlevski, S. (1991) \u00abUjevi\u0107ev <em>Perivoj<\/em> na razme\u0111u unutra\u0161njeg i vanjskog pejza\u017ea\u00bb. (&#8220;Ujevi\u0107&#8217;s Park at the Boundary of the Inner and Outdoor Landscape&#8221;). <em>Dubrovnik,<\/em> 3-4, Dubrovnik 1991. 172-188.<\/li>\n<li>Petlevski, S. (1991) \u00abStrandova tehnika nepripovijedanja\u00bb, (&#8220;Marc Strand&#8217;s technique of non-narration&#8221;). <em>Republika,<\/em> 9-10, Zagreb 1991, 131-142.<\/li>\n<li>Petlevski, S. (1990) \u00abPogled na novije ameri\u010dko pjesni\u0161tvo\u00bb (&#8220;A Look at Recent American Poetry&#8221;) <em>Republika<\/em>, br. 9-10, Zagreb 1990. 137 \u2013 152.<\/li>\n<li>Petlevski, S. (1989) . \u00abPoetic Sign, Sound and Meaning\u00bb. In: <em>International Symposium on Poetry.<\/em> <em>Struga Poetry Festival Proceedings<\/em>, Skopje : The Third Program Radio Skopje. 133-145.<\/li>\n<\/ol>\n<p><strong>SCIENTIFIC PROJECTS: <\/strong><\/p>\n<p><strong>\u00a0Scientific collaborator on scientific projects:<\/strong><\/p>\n<ul>\n<li>2007 &#8211; 2010<br \/>\n<em>Theater criticism as a history of contemporary Croatian theater<\/em><br \/>\nThe role: Scientific Collaborator. Project code: 130797. Project type: Ministry of Science, Education and Sports. Project leader: Prof. dr. sc. Nikola Batu\u0161i\u0107<\/li>\n<li>1997 &#8211; 2005<br \/>\n<em>Branko Gavella: history, theory, critique, theater culture<\/em><br \/>\nThe role: Scientific Collaborator. Project code: 0130497. Project type: Ministry of Science, Education and Sports. Project leader: Prof. dr. sc. Nikola Batu\u0161i\u0107. Institution: Academy of Dramatic Arts, Zagreb<\/li>\n<li>1996 &#8211; 2002<br \/>\n<em>Correlations between Croatian and Anglophone literatures in the 20th century<\/em><br \/>\nThe role: Scientific Collaborator. Project code: 130714. Project type: Ministry of Science, Education and Sports. Project leader: Prof. dr. sc. Sonja Ba\u0161i\u0107 Institution: Faculty of Philosophy in Zagreb<\/li>\n<\/ul>\n<p><strong>Scientific Collaborator on international scientific projects:<\/strong><\/p>\n<ul>\n<li>2001-2002<br \/>\n<em>National Learning: Scholars and Cultural Nationalism in the Nineteenth Century. <\/em><br \/>\nHuizinga Institute \/ Faculty of Civil Engineering, University of Amsterdam.<br \/>\nThe role: Scientific Collaborator. Project leader: Prof. dr. sc. J. Th. Leerssen<\/li>\n<li>1996-2001; 2001-2007<br \/>\n<em>History of the Literary Cultures of East-Central Europe. Junctures and disjunctures in the 19th and 20th centuries<\/em><br \/>\nFaculty of Letters &#8211; ALW. The role: Scientific Collaborator. Project leaders: Marcel Cornis-Pope &amp; John Neubauer.<\/li>\n<\/ul>\n<p><strong>Head of international scientific projects:<\/strong><\/p>\n<ul>\n<li>2015 &#8211; 2019<br \/>\nInternational Research Project of the Croatian Science Foundation (HRZZ) <em>How Practice-led Research in Artistic Performance Can Contribute to Croatian Science.<\/em> The role: Project Leader, Principal Researcher. Project number: IP-2014\u201309-6963. Institution: Academy of Dramatic Arts, University of Zagreb.<\/li>\n<li>2006 &#8211; 2012<br \/>\nScientific project <em>Discursive Identity in Performing Arts; Bodies, Personae, Inter-subjects<\/em>. Project ID: 264-1890666-2646. The role: Project Leader, Principal Researcher. Institution: Academy of Dramatic Arts, University of Zagreb. Supported by the Ministry of Science, Education and Sports of the Republic of Croatia.<\/li>\n<\/ul>\n","protected":false},"featured_media":23725,"template":"","vrste_clanova":[97],"razredi":[87],"_links":{"self":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/23730"}],"collection":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi"}],"about":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/types\/clanovi"}],"version-history":[{"count":7,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/23730\/revisions"}],"predecessor-version":[{"id":54337,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/clanovi\/23730\/revisions\/54337"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/media\/23725"}],"wp:attachment":[{"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/media?parent=23730"}],"wp:term":[{"taxonomy":"vrste_clanova","embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/vrste_clanova?post=23730"},{"taxonomy":"razredi","embeddable":true,"href":"https:\/\/www.info.hazu.hr\/en\/wp-json\/wp\/v2\/razredi?post=23730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}